In his works, Dostoyevsky is very attentive to descriptions of environments, but what stands out more strongly are the debates of ideas, full of moral and religious tension.
The Russian writer has an original style, the descriptions are never too long and tedious, but are included in the observations of various characters, the reader becomes involved in the narrative, feeling part of the story, as if he himself were able to tell first-person events, and in time the reader is familiar with the inner life of the protagonists, as if outside and inside, the externality and interiority The public and private sectors were one.
The language is characterized by obsessive rhythm that Dostoevsky achieved by the brevity of the sentences, thanks to the continuous repetition of the name indicates the person of the verb in this case the first person pronoun 'Ja', I.
"The language is broken, and its fragmentation reflects the fluctuations in his mental life and variety in his obsessive inclinations, fractures in his emotional in its division between thought and will. "(Bucelli, Fiorentino, 1988, page 52).
style of discourse, fragmented and obsessive, is very similar to the structure and style of an interview analysis, where the patient talks about himself, his thoughts freely associating. In addition, this obsessive iterate of 'I' refers us to a typical expression of guilt: the confession of sins, and this allows us to assume a great sense of guilt that accompanied all his life Dostoevsky.
The Russian writer has an original style, the descriptions are never too long and tedious, but are included in the observations of various characters, the reader becomes involved in the narrative, feeling part of the story, as if he himself were able to tell first-person events, and in time the reader is familiar with the inner life of the protagonists, as if outside and inside, the externality and interiority The public and private sectors were one.
The language is characterized by obsessive rhythm that Dostoevsky achieved by the brevity of the sentences, thanks to the continuous repetition of the name indicates the person of the verb in this case the first person pronoun 'Ja', I.
"The language is broken, and its fragmentation reflects the fluctuations in his mental life and variety in his obsessive inclinations, fractures in his emotional in its division between thought and will. "(Bucelli, Fiorentino, 1988, page 52).
style of discourse, fragmented and obsessive, is very similar to the structure and style of an interview analysis, where the patient talks about himself, his thoughts freely associating. In addition, this obsessive iterate of 'I' refers us to a typical expression of guilt: the confession of sins, and this allows us to assume a great sense of guilt that accompanied all his life Dostoevsky.
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