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Notes from Underground.

Memories from the underground station are a stage in artistic life and spiritual life of Dostoevsky. The writer, forty-two, was back for only two years after the deportation and exile who had been convicted in '49 for his socialist sympathies. Notes from Underground
With the writer based the story on another subject and size, for the first time, the inner becomes the focal point of the story, which shall not include any objective social connotation.
The narrator begins by presenting a man as rude, irascible, who grinds his teeth to the petitioners when they occur in the dark office where he works. After claiming to be a bad employee, withdrew that statement and says he's not even that:

"Not only did I could not be bad, but I could not be anything at all: neither good nor bad, neither villain nor an honest man, neither hero nor insect. " [1]

The next theme is the human consciousness, emotions (the awareness, not consciousness)," after every disgusting act that made crawling back into his lair and begins to enjoy the pleasures of the detestable shame, remorse, the pleasure of their baseness, degradation "(ibid., pag.153). It is a pleasure complex. The man-mouse is filling the life of not having to fake emotions real, then the main character, or his creator, is a set of ideas that revolve around the word 'benefit', they are all talk nonsense, of course, and as the man-mouse was unable to explain the joys of the degradation and suffering, so we do not even explain the benefits of the handicap. The man-mouse evokes the image of a future universal prosperity, a crystal palace for everyone, and here is what is revealed in the mysterious advantage: its free and independent choice, his whim, even insane. In other words, the man does not aspire to a rational self-interest, but simply to choose for themselves-anything-even if it chooses to destroy the structures of logic, statistics, harmony and order. Then he takes up the theme of destruction, "perhaps, he says, man prefers to destroy than create. Perhaps, he says, the man preferred to destroy than create. Perhaps it is the achievement of a goal that appeals to him but the process that leads to it. Perhaps, says the man, mouse, man is afraid to succeed. Maybe he likes pain. Perhaps suffering is the only source of awareness. Perhaps the man, so to speak, becomes a human being when it begins to be aware of his awareness of suffering. "(Ibid., p.. 156).
Social relations will no longer feature the objective representation, but will be a projection, a reflection of the inner dimension. The Underground Man is an exception, a outcast, someone who lives far away, outside of collective life.
As the ambiguous figure of interiority, the 'underground' trace the horizon of human loneliness and tragic as it is inaccessible place in which subjectivity is locked, the Underground Man is not a hero in a romantic sense, is rather a loser, an anti-hero, and the basement is the place of exile and atonement of sin. Thus, the isolation, withdrawing into themselves and exclusive interviews with his inner they take the value of a collective affront to the law, a violation against the human world. The inner
represents the whole universe of man, so that there is no difference between the external and internal world:

"My house was my retreat, my shell, my case, in which I hide all the 'humanity. "

The inner life creates situations spontaneously and directs the action in the dimension of the fantastic, but the reality is of course different. For some individuals this ability to fantasize about future circumstances becomes an ever more important in mental life, the point of being decisive in the relationship with reality. Life then takes on an unreal and you can open a rift exists between the inner world and the world outside, where the inner life expands to become the true existential condition of the individual:

"In general I was always alone. At home, in the first place, and largely read. I wanted to stifle with external sensations all that was boiling inside me incessantly. Among the sensations in my appearance was part of only the reading ability. "(Ibid., p. 59)..
[1] Dostoevsky (1864), Notes from Underground, Arnoldo Mondadori Editore, Milan, 1987, p.7.

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Memoirs of a House of the Dead.

In this novel, written by Dostoevsky in 1862, begins to emerge on the philosophical conception of the writer ' evil 'as we did inseparable from life.
In Siberia, the other political prisoners were kept separate from convicts sentenced for crimes, Dostoevsky had reacted facing the same hard, physical labor of the convicts and making every effort to assimilate them, to feel one of them. So he will find among his fellow prisoners also beings surprisingly docile and gentle, even capable of generosity.
For the writer there is no 'type' of the criminal, who - as some scholars in criminology - would even the facial features. The crime is an act disconnected from those who commit it, each holds the possibility of its accomplishment, the one who makes a crime merely to voice the evil that mankind is brought in, because evil is not a concept separated from life. All this does not eliminate, however, the particular responsibility of the criminal, nor the need for condemnation. In fact it should not be understood as a punishment, but as the only possibility for the criminal to cancel his debt to society and get back among the people of common life, from whom the crime separa.Dostoevskij, Siberia, has a vast field of observation, his introspective capacity grows much, he does not miss a single detail of the psychology of forced and collects a material so rich that will feed his mind for the rest of his life.

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" [...] As if, having once crossed the threshold, he may not, begin now to complacency that there is nothing more sacred to him, as if dragged to bypass all of a sudden all legality and authority and to delight the most unbridled and unlimited freedom, to enjoy the heart sank to the dismay which can not but feel before to himself. He also knows that awaits a terrible punishment. This is perhaps similar to the feeling that test a man, when, from a tower, he feels drawn towards the abyss that under your feet, so that eventually he would be happy to plunge headlong: down quickly , and a deal is done! And all this happens even to people far more peaceful and mean. Some of them, in this drunkenness is given even airs. The more depressed in the past was, the greater challenge now is to strut, to instil fear. He basks of this fear, it welcomes even the disgust that arouses in others. Despite a kind of boldness, and such a 'daring' to turn himself the punishment awaits impatiently waits to decide his fate, because he manages to finally make the burden of showing that ostentatious boldness. It 'interesting that for the most part this mood, this whole show lasts exactly to the gallows and then is like a clean break: as if it were actually a formal term, it seems, previously set by special rules. Then the individual is suddenly tame, you baby, becomes a kind of rag. On the scaffold whines and asks forgiveness the people. [...]". ( Dostoyevsky, F. (1862), Memoirs of a house dead , p.153, Rizzoli Editore, Milan, 1950 .)

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Meme Lauch. Ivan Aleksandrovich Goncharov

describe with 5 photos is not easy, but what I have asked is not whether this description is sufficient (because would not be infinite with photos), but if the interpretations that will inevitably be made by those who read this meme, do not alter the meaning I attributed to the words that I used to describe me.

This KRENTENBOL! Raisins or a sandwich that is found only in Holland! And 'soft, sweet and fragrant in the right place, with lots of raisins ...

is my very strong and stubborn that I had as a child, whenever I accompanied my mother demanded a Krentebol the supermarket, and there were ways to get me to refuse ... I stopped in the middle of the supermarket after breaking the balls for quite a bit, 'and I screamed very loudly, "Kreeenteboooool!" I was not afraid of anyone. I already knew as a child how to get what I wanted.

It 's also a reminder of my early childhood in Holland.

Even now I enjoy tremendously.

chocolate (liquid, solid, white, black, sweet, bitter, hot, cold) is one of the most beautiful inventions that have ever been made!

Like always.

Sissi. I saw the movie many times, what made me dream! Those clothes so beautiful palaces, carriages, windows so high, the draperies, the tables, the label to be met, the intrigues, furniture, romance, sighs, values, fighting to obtain the courage, beauty, charm ...

I really like the atmosphere, I always wanted to be like Sissi ... eh eh .. maybe I was born in the wrong century!

'Meditation' by Francesco Hayez.

I saw this picture for the first time when I was in eighth grade, was the first of the shows that I went to see with the class, I am stuck, I tried a lot of indescribable sensations, my eyes are now shiny, I want to cry, I had reflected.

's me, alone in a room where there is no light, sad, sad, angry and disappointed, strong and combative behavior often sensitive in my cold, with a book that I will always have with me, with the courage to manage the cross, to get away from me, putting my mind on top of any content, look for a day to be myself.

BOOKS. I've always been very curious and very thoughtful. I love books, I consider them as something sacred, millions of thoughts that appear in the eyes of those who thirst for knowledge, different forms, covers smooth and textured colors in stark contrast to each other odors that are emitted in the time of opening , epochs that are contaminated, stories that repeat themselves but who have lived in an original, plot twists, hidden messages, reasoning, transfer concepts, find themselves.

Reading for me is something sublime, allows me to become estranged from the reality in which I live, what I have to stop for a moment and come back richer, better educated, more strong in my mind, closer to the understanding of myself.

It 's only through books that we can live many lives.

addition to Ro do not know any blogger, who stopped to read this meme and willing to prove it, come forward! Tell who you are with 5 photos!

Lauch.

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Ivan Aleksandrovich Goncharov (in Russian Иван Александрович Гончаров), was born in Simbirsk June 6, 1812, a wealthy merchant family, his father was a wealthy state.
Between 1817 and 1830 after receiving his education, in the home, by a priest very severe, but highly educated, with which he could read Russian writers and poets, such Cherasov, Ozerov, Derzhavin, in addition to historical works and travel reports. In 1831/1833
enrolled in the Faculty of Philology at the University of Moscow, ended this experience back Simbirsk where to enter the imperial bureaucracy.
Between 1837 and 1846 he moved to Petersburg, where she found work at the Department of Foreign Trade of the Ministry of Finance. It is at this time who knows Majkov and Belinsky.
In 1847 he published his first novel, a shared history, followed by the story, written according to the dictates of the school "natural", Ivan Savvič Podžabrin.
Between 1852 and 1854 will take part, as secretary, the shipment of Admiral Putjatin in England, Africa, China and Japan. This experience is his only adventure that goes on to describe in a travel guide, The Frigate Pallas, published in 1858. In 1855 the public
novel Oblomov, receiving immediate and huge success.
Between 1856 and 1867, returned to St. Petersburg, he worked as a censor and works in parallel with the newspaper "The Mail of the North". Then became a member of the Council's business press.
Between 1868 and 1890, left the office of censor and retired to private life, published in 1869 his third novel, The ravine. Then writes short stories and essays, among which the most significant is undoubtedly one million of torment on the genius comedy What a disgrace! of Griboyedov.

Bachelor irreducible, die alone, in St. Petersburg September 27, 1891, leaving his property to the widow of his home.

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The Idiot

The execution day was shaped within the awareness of Dostoevsky as a sort of extended time eternally present, in the hours that separate him from the execution have a way to realize how the death already belongs to him inevitably entering into a world of the terror and delusional fantasies.
After many years this episode he recalls Dostoevsky The Idiot [1] :
"That man was once brought to the scaffold, together with others, and was read the sentence to death by firing squad for a political offense. About twenty minutes after the sentence was read and grace was commuted the sentence: but in the time interval between the two judgments, if not at least twenty to fifteen minutes, he lived with the absolute certainty that all of a sudden, within minutes, would die. [...] He remembered everything with amazing clarity, and said he would never forget anything about those minutes. [...] They led the first three poles, bound them, clothed them with clothes Mortuary (long white robes), of their white hoods and slipped down over his eyes, because they saw the guns, [...] It meant that there remained no live more than five minutes. He said that those five minutes, had seemed an infinite time, an immense wealth, he thought he could live many lives in those five minutes, which for the moment was still thinking about the last moment, and also took decisions: he calculated the time to say goodbye to his friends, and arranged for this two minutes, two more minutes to think himself one last time, and the rest to look around for the last time. [...] He now existed and lived, but in the end of three minutes would have been a something, someone or something, but who? Where? He thought that he will solve everything in those two minutes! Not far away there was a church, its roof and the golden glisten in the sun. He remembered having fixed very strongly that dome, and the rays that reflected: could not detach itself from the rays, seemed to him that those rays were his new nature, and that three minutes later it would be somehow merged in them ... The revulsion that unknown and the uncertainty that would become and that was just to arrive were terrible, but he said that at that time nothing was painful for him dell'incessante thought: 'Oh, can not die! Being able to turn back the life that forever! And all this would be mine! So make every minute in a century, do not lose anything, would keep in mind every minute, not to waste even more vain for a moment! '. He said he thought the end had degenerated into a rage such as to make him wish that the shots as soon as possible. "

[1] Dostoevsky (1869), The Idiot, Arnoldo Mondadori Editore, Milan, 1995, p.81.

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story of the death sentence of Dostoevsky

In 1849, Dostoevsky was arrested by the Tsarist police on charges of conspiracy and was later sentenced to death along with his companions. The sentence was carried out in all its gruesome detail - the prisoners dressed in white burial gown, reading the sentence, the provision of the firing squad - the last moment came a messenger on horseback with the news of Pardons : punishment was commuted to hard labor in Siberia. But it was not a sovereign grant, providentially which occurred at the last minute. Actually happened was something terrible and hideous. The tsarist government, in its sinister need to control the consciences of human beings led to the extreme limit of life, exposing them to an unbearable pain to the mind of a man. This final moment is marked by a ritual that highlights the exceptional nature and that is imprinted indelibly in the consciousness of the condemned, dilated up in agony. This represented a tremendous experience to test their psychic equilibrium: some do not and would carry this extreme tension went mad. Dostoevsky kept his mastery self - then as during the painful years of hard labor - but the memory of those moments accompanied him throughout his life, becoming the ideal center of all his reflections on life and human destiny. The day of the execution of his consciousness was shaped into a sort of extended time eternally present, crystallized in its awfulness.
"All his later life was marked by the psychological tension of those moments and in-depth knowledge and uncanny that always comes from extreme situations. After joining the long and endless moments for eternity, had come back in life. Some of his companions remained fixed forever to look beyond the threshold that separates life from death, the abyss dell'inconscietà. He managed to cross that threshold again fatal, and returned bringing with them the wisdom of death. " [1]
[1] D. Bucelli, M. Fiorentino, Wise Dostoevsky and the interior life, Journal of Historical Dynamic Psychology, vol. 12, Rome, 1988, p.42.

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The punishment of the game in Dostoevsky

Dostoevsky part for the first time to the West in early June 1863. E 'to Paris, but when it goes to Wiesbaden, then one of the capitals of the game in Europe, like the other cities Water Germany, Baden-Baden, Hamburg, EMS, gets off the train and tries his luck at roulette, attracted by the illusory descriptions read Russian newspapers.
not long past, Dostoevsky, advised by his doctor, since his seizures became more frequent, he decides to leave again for Europe. His tubercular wife is dying and he needs to reach her friend in Paris Polina Suslova (Apolinarija Suslova, foreshadowed the character of Polina Alexandrovna Player). The departure, however, is continually postponed, and Polina, impatient, falls in love with a English student. Dostoevsky, furious, then you put on the road, but, again, going to Wiesbaden, yield to the temptation of roulette.
arriving in Paris, finds that Polina has just broken up with English, so we propose to leave together for Italy, not giving up, however, to go to Baden-Baden and Wiesbaden, where they lose all the money he had managed to gain.
E 'then that is the idea of \u200b\u200bwriting a novel about the game. Strachov friend writes from Rome, September 18, 1863 [1] :
For now I have nothing ready, but I have a nice project in mind. I noted in part on waste paper [...]. The subject is this: the type of the Russian abroad. All this is in the novel, but I want you to reflect, to the extent that it is possible, the current state of our inner life. I think of a man whose character is completely open, a man who is interested in different subjects, but incomplete in each. He has lost all faith, but at the same time dare not be unbelieving. It 'a once rebellious to authority and frightened by it. Consoles himself thinking that there is nothing to be done for him in Russia, and condemns all those who would bluntly call at home the Russians living abroad. But I can not tell you everything now. [...] The essential point is that all of its lifeblood, its strengths, its impetus and boldness are absorbed by the roulette. [...] My hero is a poet in his own way, but he is ashamed of this poem he feels deeply the baseness. However, the need to risk anything raises him up again from their eyes. The story will speak only of the three years when he played roulette.

until several years later Dostoevsky realize his project, after several trips and assiduous attendance of gaming tables in Germany, after the death of his wife and brother. Weighed down by creditors, signing a contract with the publisher Stellovskij for the publication of his complete works, promising to deliver an unpublished novel by 1 November 1866, or risk losing all rights to this edition and the obligation to repay the money who had already received. But when he already had an advance from another publisher for Crime and Punishment has to finish two books with impossible deadlines.
So when Dostoevsky finally writes his story, you play the last card. If you do not win the bet to write this, he loses everything. The circumstances of writing agree too well with the theme that, an issue that for years has wanted to develop, not only with the hope of earning some money, but also hoping to stop losing, because this book is an exorcism. It strives, describing it, to neutralize the passion of the game that overwhelms him.
personality with such force that lives in these pages before for its author that we want to separate from his Dostoevsky, the author wants to get rid of this that devours its double and ruin. And 'So he speaks, but trying to differentiate himself from the hero, placing him in very specific circumstances, emphasizing the separation from him, so that when the last lines of the book will read: "Tomorrow, tomorrow it will all end "He can hope that these words will be true to himself, for him, Fyodor Dostoevsky, that is to say that from now on will have the wisdom not to play anymore, and all the inevitability of roulette, which unsuccessfully tried to escape until then, will fall on its scapegoat, which is Alexei Ivanovitch. Writing
Player, then, Dostoevsky play, play the game for free, to silence the player that is in him. If
beginning of the story the players are separated from those who merely look at the gentlemen, with the arrival of the grandmother dissolves this distinction. If at the beginning of the story, the general and his entourage always manage to look good, to behave in a reasonable manner, with the unpredictable behavior of the grandmother, who sarcastically can associate with the ball spinning into the cuvette, this attitude is not content as possible. Alexei
If he starts to play really is humiliating because it was driven the general and see how quickly around the roulette table will regain the respect due to the sums of money, which is decided on the small ball.
In a society where respect depends so much money, no one has questioned its origin, if the table is the place where you can earn money very quickly, we can say that it is also ' only defense for one who is afflicted.
If Alexei is not saved at the end of the book, if sinks in hell the game is because it is only, despite the capricious and distant attachment he feels for him Polina. Dostoevsky, he, as he was completing the draft, he pointed to another woman, Ana, who helped him as a stenographer and later became his wife three months. When it puts the final point, when delivering the manuscript into the hands of the police commissioner, hopes to leave, locked in the cage that he built, his unfortunate double. So he will be freed.

[1] Dostoevsky (1866), The Gambler, introduction by Michel Butor, Arnoldo Mondadori Editore, Milan, 1991, pag.VI.

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Bisexuality in the life and works of Dostoevsky

Echoing Freud's thinking, as well as patricide, there is another source that contributes to a sense of guilt: bisexuality. This provision takes over when the child reacts to the threat of his manhood, represented dall'evirazione, putting in place of the mother and taking her role as love object in the eyes of his father. "A provision markedly bisexual becomes an element that enables or enhances the neurosis" (Freud, 1927, pag.528). Freud suggests this predisposition in the case of Dostoevsky's view of the importance of male friendships in his life and the sweetness of his behavior toward rivals in love.
You might want to consider in this respect a striking example of this provision in its tale Heart weak, where the protagonist gets his head Vasya Šumakov Julian Mastakovič Here is a place and also promoted the belief that everything comes from the generosity of his head. But the feeling of gratitude in Vasya slowly turns into an attitude of servility, and when Vasya not have time to deliver the work, his sense of guilt is so great that it leads to folly.
Vasya and Arkady Nefedevič live in the same apartment, and there Dostoevsky describes them as very close friends, sharing life experiences with its emotions. What is striking is the sweetness of the attitude that these two characters together: "'Ah, Arkasa! Hi Dove! Well brother, you do not know what I'm about to tell you! "" I just do not I know, come here, come closer. "Vasya, as if waiting for another, rushed, not suspecting any evil intention on the part of Arkady Ivanovich. But they grabbed him with great dexterity to his arms, turned it over, knocking him under her, and began to 'choke' her poor victim, which seemed to give him an immense pleasure. " [1]
" "Well, I are engaged. " Arkady Ivanovich, without uttering the least word of greeting, Vasija silently raised his arms like a baby, although Vasya was by no means small, but whose height is pretty high, although slim, and began to drag very naturally from one corner of the room, pretending to cradle. "(ibid., p. 185).
"" I did not tell you I've never said before, Arkady Arkady ...! Your friendship makes me so happy, without you I would not be in the world - no, no, do not say anything, Arkasa! Give me your hand because the string, let it ... thank you! "Arkady Ivanovich wanted to immediately jump to the neck of Vasija, [...]." (Ibid., p. 198).
[1] Dostoevsky (1848), weak heart, in stories, Arnoldo Mondadori Editore, Milan, 1991, pag.189.

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The comparison with the parent state in the authority and faith in God

The Father is God But if the presence of the father and then of the Father in the 'I' is a space the birth of the 'I' itself, then how to get out?
"Ivan - as Raskòl'ikov etc.. - Continue to reflect on the meaning of that his theoretical discovery, 'if God does not exist then everything is permitted', and it hypnotizes. That phrase is an immediate consequence of the desire for patricide: the father if there was more to tie my 'me', then all that my 'I' I may be allowed: and the earthly father to the divine, that sentence can of course go all the major intermediate in a growing revolutionary if there were no spiritual authority, then all would be allowed if there was Tsar then everything would be permitted, and so on. " (Ibid., pag.XXVIII).
In Crime and Punishment, Dostoevsky describes the story of a man who believes he can break the law of human respect, confusing freedom with arbitrariness. Demons In depicting the same story, but the protagonist of the crime, he would meet his punishment, is no longer a single man but a sect of conspirators. The philosophy of "anything goes", which is that of Raskolnikov in Crime and Punishment, Demons became the revolutionary theory according to which there are no barriers of good and evil in action policy. In both cases there is no justification for Dostoevsky the use of violence and murder. The personality of man, any man, even the most miserable, like the filthy usurer of Crime and Punishment, is something sacred and absolute that it is wrong to use as a means or instrument, but you must respect and value as an end in itself . Both Raskolnikov Stavrogin
that have broken the current morality. But Raskolnikov believes he has discovered a theoretical truth and fight to win his freedom, even if illusory, is a researcher. Stavrogin rather not look for nothing, believes in nothing, has great intellectual ability but do not have a moral sense.
Through the characters of the two novels mentioned here, Dostoevsky wants to persuade us that the liberal world is a world weary, unable to see the consequences of its ideological positions.
"The character of 'demonic' is to push and trample the man against his will, depriving them of freedom and availability of interior, severing the bonds of human participation with others. This demonic that denies God, freedom and personality, mental illness is more than a political phenomenon. The "demonic" and "obsession" are forces that paralyze the personality, the sense of freedom and atrophy contract consciousness. " [1]
[1] Dostoevsky (1870), The demons, the introduction of Remo Cantoni, Arnoldo Mondadori Editore, Milan, 1987, pag.X.